Multimedia installation by Russell Mills and Petulia Mattioli
Palazzo delle Papesse Centre for Contemporary Art, Siena, Italy

38 mixed media ‘thought engines’, 2 DVD films, 2 DVD projectors, stones, quartz sand, mirror, lighting, 2 CD players, 6 speakers

Soundwork by Eraldo Bernocchi, Russell Mills and Michael Fearon with contributions from Harold Budd, Bill Laswell and Gigi
Mixed and produced by Eraldo Bernocchi at Verba Corrige Production, Castagneto Carducci, Italy
Additional production by Russell Mills and Mike Fearon at Shed Studio, Ambleside, Cumbria

RUSSELL MILLS ANNOUNCES TWO NEW SERIES OF SIGNED LIMITED EDITION PRINTS,CARGO IN THE BLOODANDTHE REVERSE IS ALSO TRUE

"During the prolonged period of enforced Covid-19 lockdown restrictions, I suspect like many others, I spent some time in reflective mode. I found myself returning to the set of 30 works I’d made towards possible uses on the Nine Inch Nails’ Hesitation Marks release of 2013. All of these works were subsequently published in the Cargo In The Blood limited edition multiple that was released following the album’s release. I’ve had and continue to receive enquiries about the possibility of some of these pieces being made into limited edition prints, so decided to go through them with this in mind, selecting those that I think will make good prints.

As well as considering the original works, I was also intrigued as to how a set of prints could be made using some of the pieces from the second half of the book, which is titled The Reverse Is Also True. This section features all the artworks subjected to various negative treatments and printed using the four-colour process over a fifth base printing of metallic silver ink. I chose to explore this five-colour process because I was intrigued to see how the unpredictability of this process would affect and work with the overprinted full-colour images. It also mirrored how my work evolves out of experiments with prepared chance, combining chemicals, solutions, man-made and organic materials. The results from such experimentation are always unpredictable, and while there are the occasional disappointments and failures, for the most part, they are surprising and often revelatory. Working in this way ensures that control is surrendered to the unpredictable nature of the materials, thereby avoiding the known and removing any ego from the work.

Having started life as mixed media works, they were photographed, then converted into the digital, after which they became the source of potential new works in their own right, works that could only have been achieved in the computer, the ultimate collage tool.

I’ve chosen a few of my favourites, which, instead of using the five-colour lithographic printing process as used in the production of the Cargo In The Blood book, are to be printed using the digital eight-colour process, onto a very beautiful iridescent PhotoRag Metallic paper produced by Hahnemuhle, the paper manufacturer whose paper is used for all of the Limited Edition Prints.

Unfortunately, it’s impossible to emulate metallic inks on a computer so it’s impossible to show what the finished prints actually look like. You’ll just have to take it on trust that they look wonderful; if they didn’t, they wouldn’t be being offered for sale.

Both sets of these new series, in signed limited editions of 150

 

 

https://russellmills.com/limiteditions/shop/


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