MENU -
  • HOME
  • NEWS
  • NINE INCH NAILS
  • ART
    • ART 1980-1990
    • ART 1990-2000
    • ART 2000-2010
    • ART 2010-12
    • ART 2013
    • ART 2014
    • ART 2015
    • ART 2016-19
    • ART 2021
    • ART 2020 – 2022
    • ART 2023
    • ART 2024
    • ART 2025
  • INSTALLATIONS
    • Now Then 2015
    • To its Beginning to its End 2012
    • Head 2006
    • Skin 2006
    • The Space of a Door 2004
    • Blue Tears 2005
    • Hold 2005
    • CLEAVE SOFT BULLETS 2002
    • REPUBLIC OF THORNS 2001
    • Mantle 2000
    • Still Moves 1999
    • Measured in Shadows 1996-97
    • Looming 1996
    • Soundings: Sub Rosa 1995
    • Between Two Lights 1994
    • Ember Glance 1990
    • MU:ZE:UM: Traces 1982-83
    • MZUI 1981
  • ALBUM COVERS
  • BOOK COVERS
  • COMMISSIONED PRINT
  • UNPUBLISHED
  • SET DESIGN + LIGHTING
    • Undark Live Punkt Festival 2007
    • Kluba Cupol 1980
    • Wyoming 1988
    • Harold Budd Tribute Concert 2005
    • In Praise of Shamans
    • Festival Musica Visuale, Lanzarote, Canary Islands 1989-96
    • Opal Evenings 1987-96
    • Echoes from the Cross 1986-89
    • The Run to Earth 1986
    • Time Being: Harold Budd | The Necks UK tour 2011
    • Blue Tears 2005
  • SOUND
    • Still Moves One
    • Sound Samples
  • FILM
    • Mills interview with Thomas Volker 2013
    • NIN: Hesitation Marks 2013
    • Time Being: Harold Budd | The Necks
    • Hold Me (Film Credits) 1997
  • WRITINGS
  • BIOGRAPHY
  • CONTACT
  • SHOP
  • MENU TESTER
Login
  • HOME
  • NEWS
  • NINE INCH NAILS
  • ART
    • ART 1980-1990
    • ART 1990-2000
    • ART 2000-2010
    • ART 2010-12
    • ART 2013
    • ART 2014
    • ART 2015
    • ART 2016-19
    • ART 2021
    • ART 2020 – 2022
    • ART 2023
    • ART 2024
    • ART 2025
  • INSTALLATIONS
    • Now Then 2015
    • To its Beginning to its End 2012
    • Head 2006
    • Skin 2006
    • The Space of a Door 2004
    • Blue Tears 2005
    • Hold 2005
    • CLEAVE SOFT BULLETS 2002
    • REPUBLIC OF THORNS 2001
    • Mantle 2000
    • Still Moves 1999
    • Measured in Shadows 1996-97
    • Looming 1996
    • Soundings: Sub Rosa 1995
    • Between Two Lights 1994
    • Ember Glance 1990
    • MU:ZE:UM: Traces 1982-83
    • MZUI 1981
  • ALBUM COVERS
  • BOOK COVERS
  • COMMISSIONED PRINT
  • UNPUBLISHED
  • SET DESIGN + LIGHTING
    • Undark Live Punkt Festival 2007
    • Kluba Cupol 1980
    • Wyoming 1988
    • Harold Budd Tribute Concert 2005
    • In Praise of Shamans
    • Festival Musica Visuale, Lanzarote, Canary Islands 1989-96
    • Opal Evenings 1987-96
    • Echoes from the Cross 1986-89
    • The Run to Earth 1986
    • Time Being: Harold Budd | The Necks UK tour 2011
    • Blue Tears 2005
  • SOUND
    • Still Moves One
    • Sound Samples
  • FILM
    • Mills interview with Thomas Volker 2013
    • NIN: Hesitation Marks 2013
    • Time Being: Harold Budd | The Necks
    • Hold Me (Film Credits) 1997
  • WRITINGS
  • BIOGRAPHY
  • CONTACT
  • SHOP
  • MENU TESTER

ART 2010-12

Menu
1980s
1990
2000s
2010-12
2013
2014
2016-19
2021
2022
2023
2024
2025
ARTWORK ENQUIRY FORM
Please enable JavaScript in your browser to complete this form.
Name *
Please check one of the categories below
Loading
Beginning With Skin (Forward To Far) 2010

Beginning With Skin (Forward To Far) 2010

Acrylics, treated papers, photograph, colour |Xerox photocopy, engraving, X-ray, on card | 41 x 36 cm || Private collection UK

Dust Keeps A Diary 2010

Dust Keeps A Diary 2010

Acrylics, treated papers, rusted metal, | cotton thread, on card | 29 x 29 cm || Unsold

All Sides Endless 2010

All Sides Endless 2010

Treated papers, fat, burning, thread, on card | 30 x 29 cm || Unsold

Not Forever Now 2010

Not Forever Now 2010

Acrylics, oils, book covers, thread, on rusted metal | 59 x 49 cm || Unsold

Space Is Cover 2009-10

Space Is Cover 2009-10

Acrylics, oils, watercolour, bronze powder, |photograph, paper, on card | 38 x 51 cm || Private collection Japan

Go Where Never Before 2010

Go Where Never Before 2010

Acrylics, oils, treated and printed papers, | photograph, Polaroid, colour Xerox | photocopies, X-ray, Sellotape, on card | 44 x 37 cm || Private collection Canada

Through Those Eyes 2010

Through Those Eyes 2010

Plaster, acrylics, oils, earth, bronze powders, treated papers, | Sellotape, canvas from Cylinders Estate, Elterwater (site of Kurt Shwitters third and last unfinished Merzbau relief sculpture), | rusted metal, baked Polaroid, Xerox colour photocopy, | photograph, burning, on card | 49 x 37 cm || Private collection Japan

Disjecta Membra 2010

Disjecta Membra 2010

Plaster, acrylics, oils, printed papers, colour | Xerox photocopies, baked Polaroid, on card | 55 x 47 cm || Unsold

Gathering The Quiet 2010

Gathering The Quiet 2010

Watercolour, treated and printed papers, | photograph, engraving, colour Xerox |photocopy, on card | 36 x 30 cm || Private collection UK

Slowly Losing Its Identity 2010

Slowly Losing Its Identity 2010

Acrylics, treated papers, photographs, | colour Xerox photocopy, on card | 30 x 35.5 cm || Private collection Germany

Carbon Echo 1 2010

Carbon Echo 1 2010

Carbon paper, chemicals, | photocopy, oil stains, on card | 10.5 x 10 cm || Private collection UK

Carbon Echo 2 2010

Carbon Echo 2 2010

Carbon paper, chemicals, photocopy, | oil stains, on card | 10.5 x 10 cm || Private collection UK

Carbon Echo 3 2010

Carbon Echo 3 2010

Carbon paper, chemicals, | photocopy, oil stains, on card | 10.5 x 10 cm || Private collection UK

Heat Signatures (Forward To Far) 2009-10

Heat Signatures (Forward To Far) 2009-10

Acrylics, printed and treated papers, photographs, | colour Xerox photocopies, on card | 64.5 x 57 cm || Unsold

Nothing But Whispers 2010

Nothing But Whispers 2010

Acrylics, printed and treated papers, |photographs, colour Xerox photocopies, |carbon paper, chemicals, fat, on card | 58 x 44 cm || Unsold

Storing Light 2010

Storing Light 2010

Acrylics, oils, bronze powder, earth, | on rusted metal, on wood | 31.5 x 26.5 cm || Private collection Japan

First Last Moment 2009-10

First Last Moment 2009-10

Plaster, acrylics, oils, book spine fragment, |magnesium, copper, on board, on wood | 54.5 x 47.5 cm || Private collection Japan

Everything Your Mouth Remembers 2009-10

Everything Your Mouth Remembers 2009-10

Acrylics, oils, printed and treated papers, |colour Xerox photocopies, engraving, |leather, rusted metal, on card | 56x 44 cm || Private collection UK

Ruled By Lightning 2010

Ruled By Lightning 2010

Acrylics, printed and treated papers, photograph, | colour Xerox photocopy, on card | 31 x 21.5 cm || Unsold

Cargo In The Blood (for Levi-Strauss) 2010

Cargo In The Blood (for Levi-Strauss) 2010

Plaster, acrylics,, oils, earth, ashes, pastels, | moles skin, teeth, steel rule, on wood | 122 x 91.5 cm || Private collection Japan

Dust Becomes Fire 1 2011

Dust Becomes Fire 1 2011

Carbon paper, chemicals, | rust water on paper, on card | 16 x 11 cm || Private collection UK

Dust Becomes Fire 2 2011

Dust Becomes Fire 2 2011

Carbon paper, chemicals, | rust water on paper, on card | 16 x 11 cm || Private collection UK

Dust Becomes Fire 3 2011

Dust Becomes Fire 3 2011

Carbon paper, chemicals, | rust water on paper, on card | 16 x 11 cm || Private collection UK

Secrets 2011

Secrets 2011

Acrylics, oils, earth, bronze powder, | X-ray, cotton threads, on card | 16 x 11 cm || Private collection UK

Burning Hands (for Marie Curie)1 2012

Burning Hands (for Marie Curie)1 2012

Acrylics, book cover, treated paper, | used masking tape, on card | 16 x 11 cm || Private collection UK

Burning Hands (for Marie Curie)2 2012

Burning Hands (for Marie Curie)2 2012

Acrylics, book cover, treated paper, | used masking tape, on card | 16 x 11 cm || Private collection UK

Designed by Michael Webster