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  • INSTALLATIONS
    • Now Then 2015
    • To its Beginning to its End 2012
    • Head 2006
    • Skin 2006
    • The Space of a Door 2004
    • Blue Tears 2005
    • Hold 2005
    • CLEAVE SOFT BULLETS 2002
    • REPUBLIC OF THORNS 2001
    • Mantle 2000
    • Still Moves 1999
    • Measured in Shadows 1996-97
    • Looming 1996
    • Soundings: Sub Rosa 1995
    • Between Two Lights 1994
    • Ember Glance 1990
    • MU:ZE:UM: Traces 1982-83
    • MZUI 1981
  • ALBUM COVERS
  • BOOK COVERS
  • COMMISSIONED PRINT
  • UNPUBLISHED
  • SET DESIGN + LIGHTING
    • Undark Live Punkt Festival 2007
    • Kluba Cupol 1980
    • Wyoming 1988
    • Harold Budd Tribute Concert 2005
    • In Praise of Shamans
    • Festival Musica Visuale, Lanzarote, Canary Islands 1989-96
    • Opal Evenings 1987-96
    • Echoes from the Cross 1986-89
    • The Run to Earth 1986
    • Time Being: Harold Budd | The Necks UK tour 2011
    • Blue Tears 2005
  • SOUND
    • Still Moves One
    • Sound Samples
  • FILM
    • Mills interview with Thomas Volker 2013
    • NIN: Hesitation Marks 2013
    • Time Being: Harold Budd | The Necks
    • Hold Me (Film Credits) 1997
  • WRITINGS
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  • CONTACT
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ART 2000s

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ARTWORK ENQUIRY FORM
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Axis 2001

Axis 2001

Plaster, acrylics, oils, earth, | bronze powders, keys, threads, on wood | 90 x 70 cm || Unsold

Extended Wings 2000 (limited edition print 1:8)

Extended Wings 2000 (limited edition print 1:8)

Combine print on two sheets: silkscreen, | lithography, embossing,, with hand additions | of acrylics, etching varnish, aluminium | paint, rubber stamp, for, on paper | 96 x 145 cm || available, unframed

Time Being 2001

Time Being 2001

Collage with plaster, acrylics, oils, dispersion, | photographs, photocopies, engraving, insect, | masking tape, baked Polaroid. Polaroid frame, thread, on board | 58.5 x 75.5 cm || Private collection Japan

Those Who Don't Know What To Do Do What They Know 2001

Those Who Don't Know What To Do Do What They Know 2001

Spray paint, gold leaf, coal dust, ashes, | copper wires, earth-clad ceramic ink pot, | carbon, bird’s wings, blue rose, lady’s vanity case, | rope, sand, in seven wooden carpenter’s drawers | 192 x 247 x 2.5 cm |(overall dimensions) || Unsold

Slow Burn (Return) 2001

Slow Burn (Return) 2001

Acrylics, oils, card, steel, lead, zinc, | spent bullets, on wood | 38 x 51 cm || Private collection Norway

Static 2001

Static 2001

Plaster, acrylics, oils, bronze powders, | pigments, copper wires, on wood | 192 x 122 cm || Unsold

Ricochet 2001

Ricochet 2001

Plaster, acrylics, oils, bronze powders,| pigments, on wood | 126 x 126 cm || Private collection UK

Pitch 2001

Pitch 2001

Plaster, acrylics, oils, bronze powders, pigments, | typewriter ribbon, bone spine fragments, on wood | 33 x 47 cm || Private collection UK

Mute Battery 2001

Mute Battery 2001

Plaster, acrylics, pigments, on wood | 127 x 127 cm || Unsold

Near Far 2001

Near Far 2001

Plaster, acrylics, oils, thread, | rusted metal, ferric oxide, on wood | 30 x 35.5 cm || Private collection Germany

Incubator 2 (Cardinal) 2001

Incubator 2 (Cardinal) 2001

Plaster, ashes, shellac, honeycomb, | bird’s nest, in wooden box | 40.5 x 26 x 10 cm || Unsold

Incubator 3 (Pivot) 2001

Incubator 3 (Pivot) 2001

Plaster, ashes, rose petals, | bird’s next, in wooden box | 33.5 x 20.5 x 8 cm || Unsold

Light Out-2002

Light Out-2002

Plaster, acrylics, oils, earth, ashes, | coal dust, bird’s wings, on canvas | 152.5 x 245 cm || Unsold

Openendlessness 2002

Openendlessness 2002

Plaster, acrylics, oils, earth, coal dust, | aluminium paint, rusted tape measure, |on canvas | 122 x 122 cm || Private collection UK

Where Fingers Touch (for K.S) 2002

Where Fingers Touch (for K.S) 2002

Acrylics, oils, wood varnish, bronze powders, sand, | dragonfly wings, mica, glass, tubes of Kurt Schwitters’ | oil paints from the barn at Cylinders, | Elterwater (site of his last, unfinished Merzbau sculptural relief), | leaves, fishing flies, wood, on canvas and wood | 137.5 x 125 cm on three panels || Private collection UK

It Starts When 'I' becomes 'We' 2004

It Starts When 'I' becomes 'We' 2004

Church offertory box, copper wires, earth, | oil and acrylic, rust water stains | Dimensions variable || Unsold

The Moment Swells 2002

The Moment Swells 2002

Plaster, acrylics, oils, book spine fragment, | magnesium, copper, on board, on wood | 54.5 x 47.5 cm || Private collection UK

Pulled by the Poles 2003

Pulled by the Poles 2003

Plaster, acrylics, oils, bronze powders, | gold leaf, etching varnish, earth, | sand, coal dust, on wood | 150 x 170 cm || Private collection Japan

Shimmer 2003

Shimmer 2003

Acrylics, oils, on paper on wood | 23.9 x 27 cm || Private collection UK

Vapour Lift 2003

Vapour Lift 2003

Acrylics, oils, collage, on board | 26.7 x 28.5 cm || Private collection UK

Eclipse 2004

Eclipse 2004

Coal-clad crucifix, painted wooden egg, | in wooden seed propagation box | 76 x 26 x 12.5 cm || Unsold

Seed to Star 2004

Seed to Star 2004

Shovel head, metal bucket, wooden painted | egg, sand, plaster, acrylics, oils, cement, | emulsion, ashes, glitter, and gold leaf | Dimensions variable || Unsold

For Want of Wonder 2005

For Want of Wonder 2005

Medical examination chair clad in ashes, |painted music stand, earth-clad paint-stained | music manuscript, hand painted butterflies | Dimensions variable || Unsold

All We Have To Describe the World 2004

All We Have To Describe the World 2004

Printed papers on oak floorboards from | former home of Dora Wordsworth, | visited by her father and the other Romantic poets | 81 x 33 x 17.5 cm || Unsold

Hold (The Deep Uncertainty of Knowing) 2004-2005_

Hold (The Deep Uncertainty of Knowing) 2004-2005_

Victorian family bible embedded | with razor blades | 35 x 25.5 x10.5 cm || Unsold

The Speech of Flint and Air 2004

The Speech of Flint and Air 2004

Acrylics, oils, ashes, coal dust, | coal, glitter, three metal bee emblems, | in violin case | 91.5 x 51 x2 0.5 cm || Unsold

Revolution 2005

Revolution 2005

Ceiling motor, copper wire, | ceramic bowl, and stone | Dimensions variable || Unsold

From Can See To Can't 2008

From Can See To Can't 2008

Rusted chain and wooden egg | Dimensions variable || Unsold

Primum Mobile (This That There) 1995-2005

Primum Mobile (This That There) 1995-2005

Earth-clad valve radio, oils, acrylics, rust water, | copper wires, and Kurt Schwitters’ scissors | from Cylinders Estate at Elterwater, Cumbria | Dimensions variable || Unsold

Fulcrum 2005

Fulcrum 2005

Plaster, acrylics, oils, earth, sand, gold leaf, | ashes, velvet, bone, copper wire, feather, | salt, rusted metal, mica, hair, shellac, | on canvas, on wood | Four panels each 203 x 31 cm; | overall dimensions 203 x 169 cm || Unsold

Hold (for Sienna) #1 2005

Hold (for Sienna) #1 2005

Collage and silkscreen on foam, | paper and card | 43 x 29 cm || Collection Centre for Contemporary Art, | Palazzo delle Papesse, Siena, Italy

Hold (for Sienna) #2 2005

Hold (for Sienna) #2 2005

Collage on paper and card | 43 x 29 cm || Collection Centre for Contemporary Art, | Palazzo delle Papesse, Siena, Italy

Private collection USA

Moon Slow 2008

Plaster, acrylics, oils, sand, | rusted metal, chemicals, on wood | 44 x 44 cm || Private collection USA

The Unknown Is Shown Only By A Bend In The Known 2008

The Unknown Is Shown Only By A Bend In The Known 2008

Plaster, acrylics, oils, wax, on wood | 44 x 44 cm || Private collection France

Suppose Nothing First 1 2008-09

Suppose Nothing First 1 2008-09

Plaster, acrylics, oils, aluminium paint, | on canvas | 50.8 x 50.8 cm || Private collection UK

Suppose Nothing First 2 2008-09

Suppose Nothing First 2 2008-09

Plaster, acrylics, oils, aluminium paint, | on canvas | 50.8 x 50.8 cm || Private collection Italy

Suppose Nothing First 3 2008-09

Suppose Nothing First 3 2008-09

Plaster, acrylics, oils, | aluminium paint, on canvas | 50.8 x 50.8 cm || Private collection UK

Suppose Nothing First 4 2008-09

Suppose Nothing First 4 2008-09

Plaster, acrylics, oils, | aluminium paint, on canvas | 50.8 x 50.8 cm || Private collection Uk

What Are You Like? 2008

What Are You Like? 2008

Collage of printed and treated papers photographs, | rubber stamp, leaf, gold leaf, on card | 29.7 x 42 cm || Unsold

Festina Lente 1 2009 for Fellinis Restaurant, Ambleside)

Festina Lente 1 2009 for Fellinis Restaurant, Ambleside)

Plaster, acrylics, oils, ashes, earth, hematite, | gold leaf, Liver of Sulphur, mica, on canvas | 122 x 152.5 cm || Collection Fellini’s Restaurant, Ambleside

Festina Lente 2 2009 for Fellinis Resaurant, Ambleside)

Festina Lente 2 2009 for Fellinis Resaurant, Ambleside)

Plaster, acrylics, oils, ashes, earth, hematite, | gold leaf, Liver of Sulphur, mica, on canvas | 62 x 84 cm || Collection Fellini’s Restaurant, Ambleside

Festina Lente 3 2009 for Fellinis Restaurant, Ambleside)

Festina Lente 3 2009 for Fellinis Restaurant, Ambleside)

Plaster, acrylics, oils, ashes, earth, hematite, |gold leaf, Liver of Sulphur, mica, on canvas | 38 x 61 cm || Collection Fellini’s Restaurant, Ambleside

Out Of Mind 1 2009

Out Of Mind 1 2009

Plaster, acrylics, oils, aluminium paint, | etching varnish, photographs, burning, | paper, on board | 29.4 x 28.6 cm || Private collection Japan

Out Of Mind 2 2009

Out Of Mind 2 2009

Plaster, acrylics, oils, aluminium paint, | etching varnish, photographs, burning, fat, | masking tapes, paper, on board | 30.9 x 29.7 cm || Private collection Japan

Silver The World Into Strangeness 1 2009

Silver The World Into Strangeness 1 2009

Plaster, acrylics, oils, on card | 16 x 11 cm || Private collection USA

Silver The World Into Strangeness 2 2009

Silver The World Into Strangeness 2 2009

Plaster, acrylics, oils, on card | 16 x 11 cm || Private collection USA

Silver The World Into Strangeness 3 | 2009

Silver The World Into Strangeness 3 | 2009

Plaster, acrylics, oils, on card | 16 x 11 cm || Private collection USA

Designed by Michael Webster